The economy of the Han dynasty (206 BC – 220 AD) of ancient China experienced upward and downward movements in its economic cycle, periods of economic prosperity and decline. It is normally divided into three periods: Western Han (206 BC – 9 AD), the Xin dynasty (9–23 AD), and Eastern Han (25–220 AD). The Xin regime, established by the former regent Wang Mang, formed a brief interregnum between lengthy periods of Han rule. Following the fall of Wang Mang, the Han capital was moved eastward from Chang'an to Luoyang. In consequence, historians have named the succeeding eras Western Han and Eastern Han respectively.
The Han economy was defined by significant population growth, increasing urbanization, unprecedented growth of industry and trade, and government experimentation with nationalization. Another large component of the government is that it was run by influential families who had the most money. In this era, the levels of minting and circulation of coin currency grew significantly, forming the foundation of a stable monetary system. The Silk Road facilitated the establishment of trade and tributary exchanges with foreign countries across Eurasia, many of which were previously unknown to the people of ancient China. The imperial capitals of both Western Han (Chang'an) and Eastern Han (Luoyang) were among the largest cities in the world at the time, in both population and area. Here, government workshops manufactured furnishings for the palaces of the emperor and produced goods for the common people. The government oversaw the construction of roads and bridges, which facilitated official government business and encouraged commercial growth. Under Han rule, industrialists, wholesalers, and merchants—from minor shopkeepers to wealthy businessmen—could engage in a wide range of enterprises and trade in the domestic, public, and even military spheres. (Full article...)
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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
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Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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The field shortly after the start.
The men's road race, a part of the cycling events at the 2008 Summer Olympics, took place on August 9 at the Urban Road Cycling Course in Beijing. It started at 11:00 China Standard Time (UTC+8), and was scheduled to last until 17:30 later that day. The 245.4-kilometre (152.5 mi) course ran north across the heart of the Beijing metropolitan area, passing such landmarks as the Temple of Heaven, the Great Hall of the People, Tiananmen Square and the Beijing National Stadium. After rolling over relatively flat terrain for 78.8 km (49.0 mi) north of the Beijing city center, the route entered a decisive circuit encompassing seven loops on a 23.8 km (14.8 mi) section up and down the Badaling Pass, including ramps as steep as a 10 percent gradient.
The race was won by the Spanish rider Samuel Sánchez in 6 hours, 23 minutes, 49 seconds, after a six-man breakaway group contested a sprint finish. It was the first medal in the men's individual road race for Spain. Davide Rebellin of Italy and Fabian Cancellara of Switzerland, finishing second and third place with the same time as Sánchez, received silver and bronze medals respectively for the event. The hot and humid conditions were in sharp contrast to the heavy rain weathered in the women's road race the following day. (Full article...)
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Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
Luo Yixiu (Chinese: 羅一秀; 20 October 1889 – 11 February 1910), a Han Chinese woman, was the first wife of the later Chinese communist revolutionary and political leader Mao Zedong, to whom she was married from 1908 until her death. Coming from the area around Shaoshan, Hunan, in south central China – the same region as Mao – her family were impoverished local landowners.
Most of what is known about their marriage comes from an account Mao gave to the American reporter Edgar Snow in 1936, which Snow included in his book Red Star Over China. According to Mao, he and Luo Yixiu were the subject of an arranged marriage organised by their respective fathers, Mao Yichang and Luo Helou. Luo was eighteen and Mao just fourteen years old at the time of their betrothal. Although Mao took part in the wedding ceremony, he later said that he was unhappy with the marriage, never consummating it and refusing to live with his wife. Socially disgraced, she lived with Mao's parents for two years until she died of dysentery, while he moved out of the village to continue his studies elsewhere, eventually becoming a founding member of the Chinese Communist Party. Various biographers have suggested that Mao's experience of this marriage affected his later views, leading him to become a critic of arranged marriage and a vocal feminist. He married three more times, to Yang Kaihui, He Zizhen and Jiang Qing, the last of whom was better known as Madame Mao. (Full article...)
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The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Cai Lun (Chinese: 蔡伦; courtesy name: Jingzhong (敬仲); c. 50–62 – 121 CE), formerly romanized as Ts'ai Lun, was a Chinese eunuch court official of the Eastern Han dynasty. He occupies a pivotal place in the history of paper due to his addition of pulp via tree bark and hemp ends which resulted in the large-scale manufacture and worldwide spread of paper. Although traditionally regarded as the inventor of paper, earlier forms of paper have existed since the 3rd century BCE, so Cai's contributions are limited to innovation, rather than invention.
Born in Guiyang Commandery [zh] (in what is now Leiyang), Cai arrived at the imperial court in Luoyang by 75 CE, where he served as a chamberlain for Emperor Ming, and then as Xiao Huangmen, an imperial messenger for Emperor Zhang. To assist Lady Dou in securing her adopted son as designated heir, he interrogated Consort Song and her sister, who then killed themselves. When Emperor He ascended the throne in 88 CE, Dou awarded Cai with two positions: Zhongchang shi [zh], a political counselor to the emperor that was the highest position for eunuchs of the time, and also as Shangfang Ling, where Cai oversaw the production of instruments and weapons at the Palace Workshop. (Full article...)
... that although the Jesuit missionary He Tianzhang despised his "sad Chinese appearance", it allowed him to circumvent the Qing's ban on Christianity and enter China?
It has a low sugar content (19%) and low saturated fat content (2%). By comparison, cotton candy is fat free with a very high sugar content (94%). Dragon's beard candy has a very short shelf life. It is highly sensitive to moisture and tends to melt when exposed to higher temperatures, notably during warm weather. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
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The Killer (Chinese: 喋血雙雄) is a 1989 Hong Kong action film directed and written by John Woo and produced by Tsui Hark. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays Ah Jong, a professional assassin for the Triads who wants to retire, but accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit to pay for her treatment.
After the financial backing from Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese. (Full article...)
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Bolaven near peak intensity on August 25
Typhoon Bolaven, known in the Philippines as Typhoon Julian, was regarded as the most powerful storm to strike the Korean Peninsula in nearly a decade, with wind gusts measured up to 186 km/h (116 mph). Forming as a tropical depression on August 19, 2012, to the southwest of the Mariana Islands, Bolaven steadily intensified as it slowly moved west-northwestward in a region favoring tropical development. The system was soon upgraded to a tropical storm less than a day after formation and further to a typhoon by August 21. Strengthening became more gradual thereafter as Bolaven grew in size. On August 24, the system attained its peak intensity, with winds of 185 km/h (115 mph) and a barometric pressure of 910 mbar (hPa; 26.87 inHg). Weakening only slightly, the storm passed directly over Okinawa on August 26 as it began accelerating toward the north. Steady weakening continued as Bolaven approached the Korean Peninsula and it eventually made landfall in North Korea late on August 28 before transitioning into an extratropical cyclone. The remnants rapidly tracked northeastward over the Russian Far East before turning eastward and were last noted on September 1 crossing the International Dateline.
Although Bolaven struck the Ryukyu Islands as a powerful typhoon, damage was less than expected. Relatively few buildings were damaged or destroyed across the region. The most significant effects stemmed from heavy rains, amounting to 551.5 mm (21.71 in), that caused flash flooding and landslides. One person drowned on Amami Ōshima after being swept away by a swollen river. In mainland Japan, two people drowned after being swept away by rough seas. In South Korea, 19 people were killed by the storm. Many buildings were damaged and approximately 1.9 million homes were left without power. Losses in the country reached ₩420 billion (US$374.3 million), the majority of which was due to destroyed apple orchards. Significant damage also took place in North Korea, where at least 59 people were killed and 50 others were reported missing. Additionally, 6,700 homes were destroyed. Offshore, nine people drowned after two Chinese vessels sank. (Full article...)
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Performing rituals for the 2020 Chinese New Year's eve in Indonesia
Chinese people and their Indonesian descendants have lived in the Indonesian archipelago since at least the 13th century. Many came initially as sojourners (temporary residents), intending to return home in their old age. Some, however, stayed in the region as economic migrants. Their population grew rapidly during the colonial period when workers were contracted from their home provinces in Southern China. (Full article...)
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The locations of the three cities which form the Economic Zone. Chongqing Municipality is shaded red.
The economies of all three cities are highly developed and serve as attractive investment locations within China. Many major international companies have factories or branches in the region, including Microsoft, Ford Motors, Citigroup, and over 200 other Fortune 500 companies. (Full article...)
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The red panda (Ailurus fulgens), also known as the lesser panda, is a small mammal native to the eastern Himalayas and southwestern China. It has dense reddish-brown fur with a black belly and legs, white-lined ears, a mostly white muzzle and a ringed tail. Its head-to-body length is 51–63.5 cm (20.1–25.0 in) with a 28–48.5 cm (11.0–19.1 in) tail, and it weighs between 3.2 and 15 kg (7.1 and 33.1 lb). It is well adapted to climbing due to its flexible joints and curved semi-retractile claws.
The red panda was formally described in 1825. The two currently recognised subspecies, the Himalayan and the Chinese red panda, genetically diverged about 250,000 years ago. The red panda's place on the evolutionary tree has been debated, but modern genetic evidence places it in close affinity with raccoons, weasels, and skunks. It is not closely related to the giant panda, which is a bear, though both possess elongated wrist bones or "false thumbs" used for grasping bamboo. The evolutionary lineage of the red panda (Ailuridae) stretches back around 25 to 18 million years ago, as indicated by extinct fossil relatives found in Eurasia and North America. (Full article...)
Ye Qianyu (or Yeh Ch'ien-yü; 31 March 1907 – 5 May 1995) was a Chinese painter and pioneering manhua artist. In 1928, he cofounded Shanghai Manhua, one of the earliest and most influential manhua magazines, and created Mr. Wang, one of China's most famous comic strips.
Hu Lanqi in 1937, when she was awarded the rank of Major General
Hu Lanqi (Chinese: 胡兰畦; pinyin: Hú Lánqí; Wade–Giles: Hu Lan-ch'i; 1901 – 13 December 1994), also spelled Hu Lanxi, was a Chinese writer and military leader. She joined the National Revolutionary Army in 1927 and the Chinese branch of the Communist Party of Germany in 1930. She was imprisoned by Nazi Germany in 1933 and wrote an influential memoir of her experience, for which she was invited by Maxim Gorky to meet him in Moscow. After the outbreak of the Second Sino-Japanese War in 1937, she organized a team of women soldiers to resist the Japanese invasion, and became the first woman to be awarded the rank of Major General by the Republic of China. She supported the Communists during the Chinese Civil War, but was persecuted in Mao Zedong's political campaigns following the Communist victory in mainland China. She survived the Cultural Revolution to see her political rehabilitation, and published a detailed memoir of her life in the 1980s.
Based on her early life, the writer Mao Dun wrote the novel Rainbow (1929), whose heroine, Mei, would become more famous than Hu herself. (Full article...)
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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
The number of speakers across all its dialects may be 5–6 million, including the vast majority of the residents of Mongolia and many of the ethnic Mongol residents of the Inner Mongolia of China. In Mongolia, Khalkha Mongolian is predominant, and is currently written in both Cyrillic and the traditional Mongolian script. In Inner Mongolia, it is dialectally more diverse and written in the traditional Mongolian script. However, Mongols in both countries often use the Latin script for convenience on the Internet. (Full article...)
The Battle of Kapyong (Korean: 가평전투; 22–27 April 1951), also known as the Battle of Jiaping (Chinese: 加平战斗; pinyin: Jiāpíng Zhàn Dòu), was fought during the Korean War between United Nations Command (UN) forces—primarily Canadian, Australian, and New Zealand—and the 118th and 60th Divisions of the Chinese People's Volunteer Army (PVA). The fighting occurred during the Chinese Spring Offensive and saw the 27th British Commonwealth Brigade (27th Brigade) establish blocking positions in the Kapyong Valley, on a key route south to the capital, Seoul. The two forward battalions—the 3rd Battalion, Royal Australian Regiment (3 RAR) and 2nd Battalion, Princess Patricia's Canadian Light Infantry (2 PPCLI), both battalions consisting of about 700 men each—were supported by guns from the 16th Field Regiment (16 NZFR) of the Royal Regiment of New Zealand Artillery along with two companies of US mortars, fifteen Sherman tanks from US 72nd Heavy Tank Battalion, two companies of the US 74th Engineer Combat Battalion and 1st Battalion, Middlesex Regiment. These forces occupied positions astride the valley with hastily developed defences. As thousands of soldiers from the Republic of Korea Army (ROK) began to withdraw through the valley, the PVA infiltrated the brigade position under the cover of darkness, and assaulted the 3 RAR on Hill 504 during the evening and into the following day. Five companies of the US and UK forces attached to 27th Brigade fled the battlefield without orders, expecting an imminent PVA breakthrough at the Kapyong Valley.
Although heavily outnumbered, the 3 RAR and U.S. tanks held their positions into the afternoon of April 24 before they retreated from the battlefield to a reserve position near brigade headquarters, with both sides having suffered heavy casualties. The PVA then turned their attention to the surrounded 2 PPCLI on Hill 677, whose encirclement prevented any resupply or reinforcements from entering. The 2 PPCLI were ordered to make a last stand on Hill 677. During a fierce night battle on 24/25 April the PVA forces were unable to dislodge the 2 PPCLI and sustained enormous losses. The next day, the PVA withdrew back up the valley in order to regroup, and the 2 PPCLI were relieved late on 26 April. (Full article...)
The Forbidden City was constructed from 1406 to 1420, and was the imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts was built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987. (Full article...)
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Laozi, one of the most important gods in Lingbao Daoism The Lingbao School (simplified Chinese: 灵宝派; traditional Chinese: 靈寶派; pinyin: Líng Bǎo Pài), also known as the School of the Sacred Jewel or the School of Numinous Treasure, was an important Daoist school that emerged in China in between the Jin dynasty and the Liu Song dynasty in the early fifth century CE. It lasted for about two hundred years until it was absorbed into the Shangqing and Zhengyi currents during the Tang dynasty. The Lingbao School is a synthesis of religious ideas based on Shangqing texts, the rituals of the Celestial Masters, and Buddhist practices.
The Lingbao School borrowed many concepts from Buddhism, including the concept of reincarnation, and also some cosmological elements. Although reincarnation was an important concept in the Lingbao School, the earlier Daoist belief in attaining immortality remained. The school's pantheon is similar to Shangqing and Celestial Master Daoism, with one of its most important gods being the deified form of Laozi. Other gods also existed, some of whom were in charge of preparing spirits for reincarnation. Lingbao ritual was initially in individual practice, but later went through a transformation that put more emphasis on collective rites. The most important scripture in the Lingbao School is known as the Five Talismans (Wufujing), which was compiled by Ge Chaofu and based on Ge Hong's earlier alchemical works. (Full article...)
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Harvard Girl (full title Harvard Girl Liu Yiting: A Character Training Record; Chinese: 哈佛女孩刘亦婷：素质培养纪实; pinyin: Hāfó Nǚhái Liú Yìtíng: sùzhì péixùn jìshí) is a book written by Liu Weihua (刘卫华) and Zhang Xinwu (张欣武), which describes how they raised their daughter, Liu Yiting (刘亦婷), to be accepted to Harvard University.
Published in 2000 in Chinese by the Writers Publishing House, the book details the rigorous lifestyle that Liu led and includes advice from Liu's parents on how to raise children to gain acceptance to top-tier universities; it has been described as a "manual" for child-rearing and early education. (Full article...)
Yahballaha III (c. 1245–13 November 1317), known in earlier years as Rabban Marcos (or Markos) was Patriarch of the East from 1281 to 1317. As patriarch, Yahballaha headed the Church of the East during the severe persecutions under the reign of khans Ghazan and his successor Öljaitü. He acknowledged the primacy of the Pope and tried to form a church union, which was rejected by the traditionalist bishops of the Church of the East.
Image 9Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 10The flag of the People's Republic of China since 1949. (from History of China)
Image 13Map showing the expansion of Han dynasty in the 2nd century BC (from History of China)
Image 14Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 24Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 41Official map of the Qing Empire published in 1905 (from History of China)
Image 42Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
The People's Republic of China revises its regulations for foreign investors in its listed companies, seeking to attract more such investment by expanding eligibility criteria and easing financial requirements. (CNBC)
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National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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